Advice for aspiring photojournalists

Advice for aspiring photojournalists

This is a post I’ve been meaning to write for a long time. While I’m just starting out in my own career and have a long way to go, I’ve learned some valuable lessons that i’d like to share. Here’s a list in no particular order of personal truths based on my own experiences and others that have helped me. I don’t take my own opinions as gospel, so take from them what you will. Hopefully there’ll be something in here that’ll be useful to you.

Note: This post is about advice on a more personal level. I have another post coming up for more practical tips regarding getting into photojournalism. I’ve also made a list at the bottom of this post of working photojournalists all over the country that are doing great work while highlighting some of their work throughout this post. See if one of them is near you and see how they shoot places that might be familiar to you. 

There is a place for you, no matter what kind of shooter you are.

No matter what kind of a photographer you are, there is a place for you in this industry. I didn’t know that for years myself though. I thought for a very long time that photojournalism was one thing only; LIFE magazine style photo essays; structured  storyboards from beginning to end, focused on one subject that you spent days, weeks or even longer working on. I always felt this underlying pressure that If I wanted to be taken seriously as a photojournalist, I just HAD to do that kind of long form work. The problem was that I didn’t really want to. Even though I appreciated and admired other photojournalists who did, I preferred short stories and daily assignments. I had convinced myself though that that wasn’t “real” photojournalism; that what I did wasn’t “good enough”. I wrestled with this completely self-inflicted guilt of not feeling like a true photojournalist for a long time. It took years of different experiences and conversations with others to learn that it was actually okay to not want to be a social documentarian, and that the term “daily shooter” wasn’t something to be ashamed of; to realize that there was in fact a place for me in this industry.

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Jessica Christian, San Francisco Examiner: Quincy Quinton, right, cries as David Glamamore comforts him while attending a vigil held at Harvey Milk Plaza in the Castro District of San Francisco, Calif. remembering the victims of the Orlando, Fl. shooting Sunday, June 12, 2016. See more of her intimate and poignant work documenting the San Francisco Bay Area here

That’s not to say that I’m still uninterested in photo essays, In fact I’m more interested in them than iv’e ever been. The point I’m making is you should never, ever feel like you have to force yourself into shooting a certain kind of work or adopt a style that isn’t yours because you think it’s what people want or that it’s the only way editors will take you seriously. I still remember being told by a staffer at a paper that different interns would come in and shoot in a way that they thought the editors wanted, when really the editors chose the interns because of the fact that they saw things differently. Be honest with yourself and embrace the kind of work that you really want to do, because that’s the work that editors want to see. I remember another editor telling us that they didn’t care what it was that you wanted to do. That if you wanted to shoot something like a series of dressed up dogs they’d still take a look at it. So do everything you can to express your own vision in your work, and I promise you, there will be people who WILL appreciate it.

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Adria Malcolm of American Reportage has a great ongoing series of the town of Santa Rosa, NM, a town along Route 66 that is struggling to survive. You can see more of her images and writing here

It’s okay to not know what kind of photojournalist or even what kind of photographer you want to be.

I didn’t know that I wanted to be a photojournalist when I first picked up a camera. I got my start in shooting landscapes, and kept shooting them as I got more involved in photojournalism. I particularly loved panoramas and long exposures; not exactly hard hitting photojournalism. It turned out that my love for long exposures and other aspects of landscape such as color and composition were ideas I could bring to the way I shot photojournalism. No matter what kinds of other photographs you enjoy taking, there are aspects that you can apply to your own shooting. More than that, many photojournalists have other passions that they funnel into their work. Think about those other passions and interests you might have. Ask yourself how they may better inform your personal vision or what kind of work that you gravitate towards. Give yourself the space necessary to grow and experiment. Master the technical aspects of your equipment and pursue a deeper understanding of how you see and what you are drawn to.

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Matt Gade of the Daily Republic in Mitchell, SD posted this just a few days ago: ‘The Dakota Wesleyan University football team gathers for a team prayer at about midfield after being introduced to the crowd prior to the Tigers game against the Jamestown Jimmies on Saturday afternoon.’. You can see more of the great work Matt does on his website

 looking at the work of others can help. 

Check out NPPA’s monthly clip contest entries to see good work from all over the country. Go see if your college library has some books on photojournalism. Check out photo websites like the image deconstructed. Look at Time.com’s Lightbox, or the week in photos from various publications. It’s never been easier to see and admire good work.

It wasn’t until I spent a lot of time actually looking at the work of photographers I admired that I began to move away from my own narrow view of  photojournalism. The way Alex Webb used color, Damon Winter of NYT used light or Matt McClain of WaPo used composition. I loved how these photographers could take anything from a general news story or an everyday element of life and could turn it into something that escaped the daily news cycle and stood by itself as something memorable and beautiful. I remember one photo in particular that, silly as it may sound, changed almost everything for me. It was a photo McClain took of a church that was building a pipe organ. He shot it through a cutout in the shape of a cross in the doorway. Seeing the photo now I think it’s still pretty clever, but when I first saw that photo it made my mind explode like a supernova. Through seeing images like that and others, I started to consciously grasp the concept that photojournalism could be and is so much more than just documenting a subject or event. That there is in fact a deeper language to the medium; of not just seeing light, color and symmetry but actually feeling them as viscerally as one feels emotions. Ever since, Iv’e been addicted to finding those kinds of images in the day to day; those little moments where humanity is shown and in which light, sound and motion intertwine with one another.  I truly believe that there can be just as much magic in an everyday moment as there is in a major news event. It doesn’t happen all the time, but that’s the goal day in and day out.

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The same concept of framing was used to brilliant effect in this photo by Taylor Irby of the Manhattan Mercury in Kansas for a story on a cowboy country church; a photo that she won first place for in the recent NPPA clip contest for the Central region.

Professionals shoot awful photos (too)

I spent my first couple years starting out looking at the work of other young and talented photographers. I’d count on my fingers the number of years between their age and mine, to the point that I felt like if I wasn’t on the front page of the New York Times by the time that I turned 21 i’d be a failure. Looking at the work of others stopped being constructive and just became self abusive. All i could think about was how much better those shooters were than me. I truly felt that the work they did was something I couldn’t do myself; that their vision was something inherent in them, not honed through years of learning and practice. I didn’t understand at the time that the problem with looking at only the highlights of other peoples work is you begin to assume that they’re always shooting great images, and that couldn’t be further from the truth.

I was at a workshop where a photojournalist who’d been working for many years gave us a presentation of an assignment that they shot for the New York Times. We were able to see their entire take from that assignment, and I saw that a whole lot of those images weren’t good. In fact, some of them were just awful. If any of us are being honest, there are hundreds, sometimes thousands, of photos we take on our assignments that no one will ever see (or at least we hope not). But I think it’s important that newcomers know that there’s a lot of truth to the saying that “most people only see 2% of an artist’s work. ”

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Nicole Hester, Natchez Democrat in Mississippi: Elijah Davney 10. Minorville Jubilee. 2017. See more of her incredibly creative work here

It’s a marathon, not a race.

Sure, there may be some prodigies of photojournalism, but the vast majority of the people who work in this industry are people who just refused to quit. Even when you reach a level you’re proud to be at, there’s still more to learn and even more bumps in the road to overcome. you’re going to have times when you feel insecure no matter how good you get; times where you wonder if this is what you’re really supposed to be doing or if you even have what it takes. The answer is simple: you do. As one photographer I listened to said “if you spend your time wondering about where you’re going to be ten years from now and try to plan it all out, you’ll freak yourself out and defeat yourself before it can even happen. All you have to do is focus on the next picture; about the assignment today and what you’re going to be doing tomorrow. If you do that every day, I promise you that the rest will take care of itself”.

So go out to shoot, even in the times when you don’t feel like it or don’t have a clear idea of just what it is you’re going to photograph. Look up different photo exercises you can do. Petapixel has a slew of articles to get your mind going. It’s hard to really notice your vision developing from one day to the next, but if you put the time in, step back after a month or a year, and you’ll be almost sure to see a clear and discernible difference in your work. After all, the moon isn’t moving fast as you look at it, but it still makes it to the other side of the sky each night.

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Joe Ahlquist of the Rochester Post Bulletin in Minnesota took this great series of images at a county fair. See more of those images here and more his other work here

You can make great work anywhere.

There is fantastic work being done every day by photojournalists all over the United States in areas large and small. That’s because there is an entire world of photojournalism that goes beyond the daily news cycle or the major national stories. You don’t need to live in a big city or move to a different country to create compelling images. Great moments are everywhere, and the more you shoot the more you will intuitively recognize them around you. Check out some of the work of people I posted below, and seriously, check the monthly clip contests of NPPA. Take note of how many of those great images are of moments that happen in your own town or city.

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Sam Owens of the Evansville Courier & Press: “Jamison Heitger fights off boredom as he waits for his turn to bat during his last little league baseball game of the season held at a Scott baseball field in Evansville, Indiana, June 5, 2017.” Click here to see more of the great work she’s doing.

Rejection and disappointment happens, and that’s okay. 

If you do this for even a little while, you’ll be rejected, whether it’s for pitching a story or applying for an internship, staff position or workshop. Sometimes the rejection hurts a lot, even after it’s already happened times before. Iv’e been a finalist for internships and staff positions at more than a dozen publications only to end up not being chosen, and no one feels pride about the dozen times they almost got the job. Sometimes it’s hard to not take it personally as a referendum on your work or even yourself. Trust me, its not. There are a lot of reasons for why you might not have been the one chosen that have nothing to do with you.

It’s also important to be happy for other people, even when that’s the last thing you feel. Earlier this year, three months after I’d been laid off by the Rapid City Journal in South Dakota, I applied for an internship at another paper in the region. My lease was up in a month and I knew i’d have to go back to DC if I didn’t land something, so I did everything I could to get it. I even offered to drive the couple hours to get there to meet everyone in person. I spoke with their editor, went on a ride along with one of their reporters, was given a tour of the city and the paper itself, and then met up with the editor again the next morning. I was so sure I was going to get the internship I even mentioned I was looking at apartments. I drove back home without an offer but was convinced I’d get one.

And then I didn’t. Instead I was told that they offered the internship to a college student.

Was I disappointed? Yes, deeply. but I also understood that it was going to be a great opportunity for the person getting it, even if that person wasn’t me. Iv’e had my opportunities, and this one was theirs. You might forget it sometimes, but you’re not entitled to anything no matter how skilled or qualified you might think you are. It’s important to be grateful for the things you’ve already been able to do and to be happy for the successes of others. Recognize that this is not a competition and that we really are all in this together. Yes, It’s okay to feel depressed and dejected at times. It happens. But you can’t let those feelings fester into sustained bitterness and resentment. It helps no one and only hurts you.

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Josh Morgan has a great series of images from his time spent covering the Dakota Access pipeline protests in Cannon Ball, N.D. You can see more of that work here

You might not change the world, but you can effect someone else’s.

There are plenty of images that come to mind as examples of imagery that moved many and reshaped public opinion; the Vietnam Napalm Girl, the Iwo Jima flag raising, the falling man on September 11th or the body of toddler Alan Kurdi on a turkish shore. The list goes on. We all hope to make such impactful images at some point in our lives, but really, the greatest gift that this profession has to offer is that it allows for the ability to make little differences each and every day, whether you’re starting your first entry level staff position, shooting a class assignment for school or just working on your portfolio.

And just because a certain assignment or subject may not matter to you doesn’t mean that it doesn’t matter to someone else. That restaurant shoot? It means a lot to the owner of that restaurant who just opened and is trying to get people through the door. That charity organization profile? It means a lot to the people that have been doing their work for years without being publicly recognized. Another night shooting another high school football team? That team captain is carrying a copy of the paper to show his friends and his parents are sharing those photos on facebook. You have no idea how much of a difference you might be making, even with something as simple as sending someone a feature photo you took of them. For all you know they hadn’t received a photo of themselves in years. No matter what level you’re at, you have the ability to make this kind of difference every day. That’s something to aspire to, and that’s something to be really proud of.

I really hope you were able to gain something from this post. Feel free to post any questions or comments you might have, or send an email to craighudsonphoto@gmail.com. Thanks for reading.

Various working photographers whose work I admire in no particular order. Of course, the amount of photographers who’s work I admire is longer than this list, but for practical reasons I’m keeping it a reasonable length. 

Taylor Irby, Manhattan Mercury

Adria Malcolm, American Reportage

Josh Morgan, Greenville News

Caitlin Penna, North Carolina

Demetrius Freeman, NYC

Jabin Botsford, Washington Post

Josh Galemore, Casper Star-Tribune,

Jessica Christian, San Francisco Examiner

Brontë Wittpenn, Billings Gazette

Sam Owens, Evansville Courier & Press

Manuela Montañez Guerra, NYC & Bogota

Joe Ahlquist, Rochester Post-Bulletin

Matt Gade, The Daily Republic

Charles Mostoller, Philadelphia PA

James Tensuan, San Francisco, CA

Marcus Yam, Los Angeles Times

Dorothy Edwards, Naples Daily News.

Andrew J. Whitaker, Southeast Missourian

Alyssa Schukar, Chicago IL

Jake May, Flint Journal.

Matt Cohen. SF Bay Area

Scott Strazzante, San Francisco Chronicle. 

Stuart Palley. Southern California

Nic Antaya, Grand Rapids Press. 

Melanie Boyd, Mississippi

Jessica Lehrman, NYC

Kevin Hume, The Storyteller Studios

Joe Lamberti, The Courier-Post

Nicole Hester, Natchez Democrat

Angus Mordant. NYC

Alyse Young, Louisville, KT

Shaban Athuman, Bowling Green, KT

Dougal Brownlie, Colorado Springs Gazette

Zac Popik, Kent State

Eslah Attar, Kent State

Michael Noble Jr. NYC

Dominic Valente, The Daily Herald 

Chris Gregory, NYC

Ryan Michalesko, Southern Illinois

Logan Riely

Megan Farmer, KUOW Public Radio

Eli Hiller

Junfu Han, Detroit Free Press

CS Muncy

Isaac Hale, Daily Herald

 

The Month in Photos: August.

The Month in Photos: August.

So since it’s now September, I thought I’d make a little post about the month of August, which was a fantastic month for images. Easily the best so far since I started in late June. Shooting nearly every day again after not doing so for almost 5 months has me feeling sharper visually, and with fall right around the corner, a time in which West Virginia explodes in color, the photos will hopefully continue to keep coming.

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Alan Withrow of Poca jumps to block Josh Hoffman during a half court game outside of the Nitro High School football stadium during the Wildcats game against the Poca Dots on August 25, 2017 in Nitro, W.V.
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Landon Coleman, 11, playfully runs a relay around stacked arrows before target practice as part of the Centershot program at St. Peters church in St. Albans, W.V., on Wednesday, August 30, 2017.
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A group of students walk down a long hallway during open house at Herbert Hoover High’s new portable complex in Elkview, W.V., on Friday, August 11, 2017.
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Lightning strikes over a rest stop along Route 240 in Virginia last night.
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Belinda Harnass, Housing Authority director for Mingo County, looks into a room at the Sycamore Inn in Williamson, W.V., on Wednesday, August 09, 2017. The County is moving to turn the Inn into a center for continued sobriety of recovering addicts, to the ire of the local city government.
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Authorities remove cats from a residence in Kanwaha City on Tuesday, August 29, 2017. An estimated 80 + cats were removed from the house.
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Many friends, family and members of the Brother’s Keepers Motorcycle Club, of which Denise Fernatt was a member, gathered for a candlelight vigil in her honor at Hughes Creek Community Church of God in Cedar Grove, W.V., on Friday, August 11, 2017.

Of course, we all know that the Great American eclipse stole the show this month, and for perfectly good reason; It was nothing short of breathtakingly ethereal. I drove down to South Carolina for it, where my good friend Josh Morgan is currently working as a staffer for the Greenville Tribune. It was great catching up with him and our friend Angus Mordant, who does work as a stringer for the NY Daily News. We spent the weekend together and shot the totality, Josh from the top of the highest building in the city and Angus & I down in Falls Park where hundreds had gathered to watch. As totality neared the area began to turn a golden hue as though it were late afternoon, and the crowd cheered with every noticeable shade the area became darker. As soon as totality hit however, late afternoon almost instantly turned to dusk. People shouted and applauded witnessing this unbelievable spectacle; a black orb vivid in a cobalt blue sky where the sun had been a moment ago. Looking through my camera, the corona of the sun was clear as a beautiful and delicate light that seemed to dance around the moon, rolling outward like a shining wave. Knowing time was very short I quickly snapped a few close images before shooting what I could of the surrounding landscape and the people lining the bridge directly above us. I was glad to be able to have some kind of foreground in the image, as it was 2:39 in the afternoon and the sun lie almost straight up above us.

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Crowds of people gaze and snap photos of totality during the great American eclipse in Greenville, SC., on Monday, August 21, 2017.
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Falls Park goes dark during totality of the great American eclipse in Greenville, SC., on Monday, August 21, 2017.
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The great American eclipse is seen in totality in Greenville, SC., on Monday, August 21, 2017.

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Nathan Kagolanu and Fiorella Tello wait for totality of the great American eclipse in Greenville, SC., on Monday, August 21, 2017.

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Shawn Anthony, 6, of Charlotte looks through his solar glasses during the great American eclipse in Greenville, SC., on Monday, August 21, 2017.

This month started out continuing ride alongs with EMS supervisors in the city as they went from scene to scene, with breaks in between at the firehouses on either side of the city. While the focus of the written story was on new mindfulness classes offered to fire & ems personnel, I had the opportunity to speak with them more directly about the effects that the opioid epidemic is having on their resources. I learned that one of the largest issues that they are facing is the avalanche of calls received that turn out to be false alarms, one common scenario being calls from bystanders calling about someone lying on the ground who they believe might be overdosing, only for personnel to show up and discover it’s just a person taking a nap on the grass. While personnel are grateful that bystanders do call in when they think their might be a problem, they are frustrated that most of the time, bystanders themselves will do nothing to see if the person is in fact just someone napping on the grass, instead their first and only step being to call 911. Another issue is that because the epidemic is so pervasive, crimes that in the past may not have been necessarily drug related, from domestic abuse to car accidents and robberies, are now often a factor. It seems, there are few crimes committed now in which drugs are not involved.

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EMS Supervisor Mace and Paramedics tend to a woman believed to be overdosing on methamphetamine on a street in Charleston, WV on August 2, 2017. Paramedics have been flooded with calls related to overdoses, stretching their already limited resources.

 

Paramedic personnel at work in Charleston on July 26, 2017.
Paramedic personnel at work in Charleston on July 26, 2017.
Captain Mark Strickland drives on patrol in Charleston on July 26, 2017.

This month was also the first time that I photographed one of Pres. Trump’s rallies. I think anyone that knows me already is well aware of my feelings regarding him, so i’ll move past this one.

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Wayne County residents Elaina Farr, Sydnie Benson and Emily Robinson hold up a Donald Trump campaign flag as Carla Russell watches outside the Big Sandy Superstore Arena in Huntington on Thursday afternoon. Trump, the nation’s 45th president, was scheduled to make a campaign-style appearance in Huntington on Thursday evening.
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From left, Betsy Forester, Sally Roberts Wilson and Charlene Vaughan protests outside of the Big Sandy Superstore arena before Pres. Trump’s rally in Huntington, W.V., on Thursday, August 03, 2017.
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From left, James Davis of Huntington, Garry Pauley of Charleston and Donna Childers of Huntington wait for the start of Pres. Trump’s political rally inside the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.
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President Trump holds up a sign handed to him by a supporter during a political rally inside the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.
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A protester is forcibly removed during Pres. Trump’s political rally inside the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.
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From right, David Thompson, Scott Ratliff, Angel Staten, Greg Miranda, Mike Otter, Paul Nemeth and Tim Bolen of the IATSE Local 369 bring down a large American flag after President Trump’s political rally at the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.

This month was very varied in subject matter. While July saw mostly tennis and golf, this month had me shooting a little bit of everything. I particularly loved going to spend a day at the state fair, despite having a pretty bad cold at the time. I’d never photographed a state fair before, and I love the visuals they bring about in my head-The stock shows, the carnival rides that turn into a sea of blinking vivid lights in motion at dusk, the cheap food and of course, waves of people from every corner of the state.

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Fairgoers are reflected in a puddle at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Maci Bostic, 5, and Aubree Blake, ride teacups at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Alex Hobbs, 7, of Monroe County sits on a motorcycle ride at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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A bingo booth is seen at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Abigail Okes of Okes Family Farms in Raleigh County shaves Jack, a Yorkshire pig before the showmanship show in the morning at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Edith Wade of Blue Rock Swine gives a wash to a Chester White pig before tomorrow’s show at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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At the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Isabell Vaughan, 11, shares a quiet moment with ruby red, a heifer calf at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Rylan Vaughan, 11, walks ruby red the heifer calf after a wash at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Arika Jayne of Alderson gives some attention to a pig at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Children run inside an obstacle course at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Kaysee Amick helps her nephew Brenten Ritchea, 4, win a shooting game at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
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Karl Riffe and his son Garrett, 12, enjoy a ride at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.

This month also saw the beginning of football and soccer! Two sports iv’e come to very much enjoy shooting, not only for the action on the field but even mores for all that happens off it!

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Winfield’s Sydney Cavender and Peyton Frohnapfel collide with Midland’s Maddie Meehling and Rayen Ciccollen during the Winfield lady Generals match against Cabell Midland at Winfield high school on Tuesday, August 22, 2017.
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Fans Katie Burns, Lexi Crompton and Maddie Dawson wave the Hurricane flag during the Hurricane Redskins-Winfield Generals football game at Hurricane High School on Friday, August 25, 2017.
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Trevon Scruggs, 10, runs through for a touchdown as Noah Petty and Brycen Orcutt try to block him as they play a makeshift game on a grassy field before the South Charleston Black Eagles -George Washington Patriots football game at South Charleston High School on Thursday, August 24, 2017.
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Jr. ROTC cadet Hydiah White dances to music played over the loudspeakers as Dillon Tucker laughs before the South Charleston Black Eagles -George Washington Patriots football game at South Charleston High School on Thursday, August 24, 2017.
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The South Charleston Black Eagles make their entrance before their football game against the George Washington Patriots at South Charleston High School on Thursday, August 24, 2017.

Well that’s it for now. Iv’e got a number of other written blog posts on the way, so they’ll be coming out soon! Thanks for stopping by.

-Craig H

 

From the Desk: West Virginia

From the Desk: West Virginia

I’m afraid that iv’e been away from the desk for far too long! For those of you who don’t already know, I moved to West Virginia exactly one month ago to take a staff position at the Charleston Gazette-Mail, the state’s largest newspaper. Since then I have largely set up my new apartment (I now own a washer and dryer, guess that means i’m an adult now?) and have gotten to know the city and the surrounding area.

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Ruth Andrien, a former dancer with Paul Taylor Dance Company, instructs Sheena Madden Jackson during a master class at the Charleston Ballet studio in Charleston, W.Va., on Thursday, June 22, 2017.
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Jesus Flores of Selma, CA jumps in the air as he is announced the winner against a grimacing Patrick Cody of Spokane, WA at the 2017 USA Boxing Junior Olympic Championships at the Charleston Civic Center in Charleston. W.V., on Saturday, July 01, 2017.
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When you’re trying to shoot assignments in classrooms…

So for any of you who might be wondering, why West Virginia? There are a couple of reasons. I wanted wherever I was going to go to be a place where I could share impactful stories. To be sure, this is something that can be done anywhere, as there are always stories to be told no matter where you are.

However, West Virginia in particular is ground zero for some of the larger issues facing the country today; from the decline of once dominant industries that millions depended upon for their livelihoods to the effects of the opioid epidemic on addicts, their families and the communities that they live in. Those are issues that I want to cover. However, I also don’t have any desire to engage in making work that does nothing but reinforce simplistic (and to many of those who live here, blatantly offensive) stereotypes of the region. Iv’e only been here for a month, and I already know that there are so many good people here who love their state and are doing everything they can to make it better. Those are the people whose stories in particular that I want to tell.

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Andrea Morrison touches a memorial plaque embedded in the stones of a bridge built to commemorate those whose lives were lost in the flooding last year in White Sulphur Springs. People were allowed to cross after the bridge was commemorated on the anniversary of the flood on Friday, June 23, 2017. Morrison said that her son’s best friend was among those who died.
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West Virginia Gov. Jim Justice speaks about the budget bill passed by lawmakers last week in the Capitol reception room in Charleston, WV on June 21, 2017.
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Vietnam veteran Ernest Willie speaks of his experience with Veterans Affairs at the new Vet Center in Charleston. W.V., on Thursday, July 06, 2017.
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Hannah Gates examines her costume before a rehearsal of King Lear at Concord University in Athens, W.V., on Tuesday, July 11, 2017.

I also like moving to places that have a certain mythos about them. Places that hold a certain image, no matter how true or false, in the American psyche. It’s one of the reasons that I moved to the Black Hills region of South Dakota, an area often associated with “The West” and all of the concepts that come with it. Like the West, Appalachia is more than just the name of a region based on the series of mountain ranges that form it.

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Raiders Outside Linebacker and former WVU star Bruce Irvin is swamped by camp attendees during the third annual Bruce Irvin Football Clinic on the turf field at Little Creek Park in South Charleston, W.V., on Saturday, June 24, 2017. The clinic was hosted by local sports organization CJKB Infinity Sports.
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Alexxis Tunstalle is held under a sprinkler by her cousin Ana Collins at the Magic Island splash pad in Charleston,W.V., on Wednesday, June 28, 2017.
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Najee Edwards, 12, eats his California roll during a workshop on sushi making inside the Kanawha County Public Library Central Library in Charleston. W.V., on Thursday, July 06, 2017. The workshop was taught by Megumi Homma.
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Hudson Swafford hides his face after missing a putt on the 12th green at the Greenbrier Classic in White Sulphur Springs. W.V., on Saturday, July 08, 2017.

Appalachia conjures up images and ideas of a culture, of a certain kind of lifestyle. To cite an example: Don’t act like you haven’t drunkenly belted out the chorus lines to John Denver’s “Take me Home, Country Roads” at least once at some bar or late in the night at your friend’s kegger. I want to experience for myself these kinds of places and see just how much of those ideas and assumptions are made up or hold water.

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Dancers are reflected in a mirror lining the wall inside the Charleston Ballet studio during a master class on modern ballet in Charleston, W.Va., on Thursday, June 22, 2017.
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A PGA Tour worker takes note of the outside weather advisory at The Greenbrier in White Sulphur Springs. W.V., on Tuesday, July 04, 2017.

That’s about what I have for now. I’m going to make a point of writing more frequently on this blog now that I am shooting full time again. I want to write not only about the experiences I am having now but also what experiences i have had and the lessons learned from them that someone else looking to become a photojournalist themself might find useful. I also want to start sharing more of my travel guides again, as I have a lot to say about the places that iv’e been, including a comprehensive guide to Washington, D.C.

Talk again soon!

 

 

 

 

 

Quick Road Trip: Montana & Wyoming.

Quick Road Trip: Montana & Wyoming.

This was an unplanned trip, unplanned in that I only knew I wanted to see Glacier National Park and possibly the Tetons. I left Friday afternoon and came back early Tuesday morning, and in that time covered nearly 2000 miles. Supplementing my current writings are notes jotted down in my pocket journal while on the trip, which are in italics.

On route 212 to Crow Agency.
On route 212 to Crow Agency.

Starting out from Rapid City, the highway led along the northern border of the Black Hills to 212, a direct route through the Northeast corner of Wyoming into Montana. I had never been to Montana before and was looking forward to this trip.

Broadus, MT. 4:25 P.M: In Powder River country now. Montana is so far a continuation of Wyoming in terms of landscape, however taking into account its ridges and rocky outcroppings I think larger differences are to come.

While I had driven through Central and Northeast Wyoming; an impressively expansive land, Montana posessed a terrain I was not prepared for in scope and vastness. While ranch lands were aplenty, much of the landscape remained unrepresented by human intervention save for the nonnative grasses that permeated the land. The valleys, foothills and ridges stretched onward to the bighorn mountains; named so for the sheep that inhabit them.

Looking West from the Little Bighorn Battlefield.
Looking West from the Little Bighorn Battlefield.

I had arrived too late to tour the little bighorn battlefield which closed about an hour earlier, but I could easily say that the land itself was among the most beautiful that I have ever seen of any battlefield. Hawks flew high above the prairie dog towns that dotted the landscape.

Continuing on after stopping briefly in Billings, It became dark as I was nearing Bozeman Pass. Stopping briefly to walk under the bright neon signs lining Livingston, I continued through the pass and down into Bozeman. Being home to Montana State University, Bozeman has a solid nightlife scene with a main street lined with bars, dance clubs, restaurants and cheap eats.

Neon lights in downtown Livingston, Montana.
Neon lights in downtown Livingston, Montana.

Bozeman, MT. 11:15 A.M. Trying to make time to Helena, but land is incredible. The foothills and ridges surrounding Little Bighorn are among the most beautiful i’ve ever seen, stretching all the way to the Bighorn Mountains. Bozeman a wonderful college town with quite the nightlife for its size.

Being that I came through Bozeman pass at night, It was the next morning that I saw the series of mountain ranges that surrounded Bozeman. From there I immediately got on the road, wanting to make it to the area surrounding Glacier National Park before nightfall.

Westbound on I-90 from Bozeman on the way to Helena.
Westbound on I-90 from Bozeman on the way to Helena.

Helena: 1:15 P.M. The only place i’ve been that I can compare West Montana to would be Alaska.

The route to the state capital Helena was 287, with tilled fields and railroad tracks on one side and the Missouri river on the other.

The Missouri river and Mountains from Highway 287 on the way up to Helena.
The Missouri river and Mountains from Highway 287 on the way up to Helena.

Kalispell: 10:00 P.M. I started the day by driving up from Bozeman, The drive up went well enough; though the distances are vast it certainly doesn’t feel that way with the terrain being as it is.

From Helena I took route 12 further West where the road abruptly rose into the hills, from which there were fantastic views of the surroundings valleys.

Looking East toward the Helena Valley from Highway 12 on the way to Kalispell
Looking East toward the Helena Valley from Highway 12 on the way to Kalispell

Descending from the ridge into another large valley, I suddenly turned onto a rural route that winded through ranch land that seemed to go on forever, only stopping at the foot of the nearest mountain ridge where a series of rainstorms were inundating the landscape.

Echo Mountain. One of the many mountain peaks that dominate Western Montana.
Echo Mountain. One of the many mountain peaks that dominate Western Montana.

Driving past a series of lakes and mountain peaks, I eventually reached route 83, which hugged the Swan range for hundreds of miles to reach the Kalispell valley.

 The road up was through a wide valley with mountains towering on each adjacent side, passing through little towns such as Swan Lake while rolling the windows up and down sporadically with each passing microclimate.

 

Looking West toward the Swan Range along route 83 toward Kalispell.
Looking West toward the Swan Range along route 83 toward Kalispell.
Isolated cell over Route 141. On the way to Route 83, a straight shot up to Kalispell and Glacier National Park.
Isolated cell over Route 200. On the way to Route 83, a straight shot up to Kalispell and Glacier National Park.
Looking North on Swan Lake from route 83 on the way to Kalispell and Glacier National Park.
Looking North on Swan Lake from route 83 on the way to Kalispell and Glacier National Park.

I saw two bald eagles feeding off of a carcass on the side of the road here. Also saw what I thought to be a black bear sneaking off of the road as i passed it before the lake itself.

A bald eagle takes flight on the side of the road. Highway 83, Montana.
A bald eagle takes flight on the side of the road. Highway 83, Montana.

I eventually arrived just outside of Glacier in the late afternoon as a series of rainstorms were passing over the range and surrounding area. 

Passing storm over farmlands Southeast of Columbia Falls, MT.
Passing storm over farmlands Southeast of Columbia Falls, MT.

Passing through these farmlands, I turned Northeast onto a road that hugged the North Fork of the Flathead River, whose waters originate in the Canadian Rockies.

I drove up adjacent to the north fork of the flathead river; a sizeable river with a beautiful turquoise hue that very much reminded me of the waters in Alaska.

On the North Fork road leading into Glacier National Park.
On the North Fork road leading into Glacier National Park.

The road zig-zagged through the immense gorge following the river until coming to a bridge over it which was gated off; closed for the season.

The road was closed over the bridge of the fork leading further into Glacier National Park, but I managed to get some decent pictures over the river before giving into the temptation of driving up the nearby trail creek road that ascended over the valley.

Sunset at the North fork of the Flathead River. Glacier National Park.
Sunset at the North fork of the Flathead River. Glacier National Park.
Looking toward Glacier National Park from the North Fork road leading to Trail Creek.
Looking toward Glacier National Park from the North Fork road leading to Trail Creek.

I tried to find a clearing in those bastard juvenile pine trees but gave up after becoming exhausted trudging through knee-deep snow and failing to find any clearing significant enough for a clean shot of the best part of the sunset over the mountain peaks. 

Looking toward Glacier National Park from the North Fork road leading to Trail Creek.
Looking toward Glacier National Park from the North Fork road leading to Trail Creek.

However I was able to see with my own eyes the violet and before that golden light surrounding the towering peaks as the sun went down, and that has been good enough for me.

Detail of mountains surrounding the flathead river gorge at dusk.
Detail of mountains surrounding the flathead river gorge at dusk.
Venus shines over the forest-lined gorge of the North Fork of the Flathead River in Glacier National Park.
Venus shines over the forest-lined gorge of the North Fork of the Flathead River in Glacier National Park.

That night I decided to head for Missoula, in order to put myself in a better position for the drive to the Tetons the next day. Even without the moon I could still make out the massive body of water that was flathead lake. Continuing on through small towns and rural areas, I was trailed by no less than four separate police vehicles; the officers most likely being bored out of their minds in rural Montana at 2 am.

I spent a little time walking around Missoula before heading South on I-15 to Northern Idaho.

Lima, Montana. Lima Peaks can be seen in the distance.
Lima, Montana. Lima Peaks can be seen in the distance. Just before crossing the border into Idaho
The railroad tracks along Lima, MT. Just North of the Idaho border.
The railroad tracks along Lima, MT. Just North of the Idaho border.

Tetons. 3:45 PM. Drove down from Missoula through mountain passes into Northern Idaho. I have never seen a valley so vast as that of which interstate 15 passes through. Coupled with one of the most visually fascinating concentrated rainstorms I have ever seen over an almost desert like terrain, it was quite a sight.

Rainstorm over Interstate 15. Idaho.
Rainstorm over Interstate 15. Idaho.
Inside the Snake River Plain. Idaho.
Inside the Snake River Plain. Idaho.

Upon getting out of the rainstorm and driving through gentle rises the land changed again to tilled fields that stretched for miles.

Lined crops stretch for miles during the evening hours alongside highway 33 in Eastern Idaho, just West of the Teton Range.

I photographed what I could of the tetons from the Idaho side before entering the teton pass…

The Tetons as seen from Highway 33. Idaho.
The Tetons as seen from Highway 33. Idaho.

was a bit riveting as it was dark and the highbeams of my car lit every piece of snowfall. It was a bit like being in the millennium falcon at lightspeed, stupid as that sounds. Found a good room and was given two slices of free pizza from a guy at Pinky G’s before having a beer at Snake River brewing.

Cowboy Bar in the town square of Jackson Hole, WY.
Cowboy Bar in the town square of Jackson Hole, WY.

Jackson hole itself is beautiful, with the town square and look of the town was everything I hoped it would be.

The antler arches at the town square of Jackson Hole.
The antler arches at the town square of Jackson Hole.

I have now been spending the day checking out areas per the suggestions of Lyford and the bartender at Dornan’s. People here are the nicest I think I’ve ever experienced in any particular place. I have seen quite a few moose around the park as I wait for fog to life which continues to inundate the Tetons. I hope that it will clear if only briefly for me to capture or at least see it before I turn east back to South Dakota.

A female moose is seen resting amidst the foliage in Grand Teton National Park.
A female moose is seen resting amidst the foliage in Grand Teton National Park.
The Grand Teton is partially shrouded by passing fog. Grand Teton National Park.
The Grand Teton is partially shrouded by passing fog. Grand Teton National Park.
Grand Teton pokes through the winter fog clinging to the mountain range. Grand Teton National Park.
Grand Teton pokes through the winter fog clinging to the mountain range. Grand Teton National Park.
At the Snake River overlook from which Ansel Adams took his famous photograph of the Tetons and Snake River.
At the Snake River overlook from which Ansel Adams took his famous photograph of the Tetons and Snake River.
One of the famous barns in the Jackson Hole Valley.
One of the famous barns in the Jackson Hole Valley.

 

Unfortunately it was soon after I wrote this that a snowstorm from the West moved in and completely inundated the mountains as well as the valley in quick succession. I decided to leave then, taking the road from Jackson Lake to Highway 26 which passed through the continental divide. The area itself was filled with buttes and peaks whose color and formations astounded me.

Pinnacle Buttes, Shoshone Wilderness. Wyoming.
Pinnacle Buttes, Shoshone Wilderness. Wyoming.

Eventually, 26 would lead into the fronier-styled town of Dubois and the desertlike terrain of the Wind River Reservation. I’d be hard pressed to think of another place where the difference in terrain from one side of the road to the other is so stark as it is here.

The wind river itself snaked under the road many times, adding an additional touch of beauty to a landscape that had suddenly turned into one that looked like Arizona more than anything else.

The Wind River. Just outside of Dubois, Wyoming.
The Wind River. Just outside of Dubois, Wyoming.

It wasn’t long before the sun began to set, and I pulled over from route 26 onto a crest overlooking a reservoir. I took a couple frames as dusk was settling in.

Dusk over Pilot Butte Reservoir. Wyoming.
Dusk over Pilot Butte Reservoir. Wyoming.
On the side of a road in Wyoming. Cows.
On the side of a road in Wyoming. Cows.

There are roads across central Wyoming that stretch 100 miles at a time in total darkness with not a light to be seen except those of oncoming cars and 18-wheelers. With both of us moving at over 80 miles an hour, the semi’s shake my car to an uncomfortable degree as they go by. In such conditions one cannot tell if a car is one mile away or ten, as there is nothing with which to associate the distance. It was a bit of a surreal experience really.

On the way to Casper from Shoshoni, Wyoming.
On the way to Casper from Shoshoni, Wyoming.

After what felt like a lot longer than 10 hours, I made it home early Tuesday morning. So i’m going to wrap this up. Thanks for checking out this post!